TEXTES_eng
INTERVIEW WITH JILL GASPARINA, 2022
DAMP, François Aubart, 2022
REPEAT THE REPEAT REPEATEDELY, Joseph Allen, 2018
S IS FOR SOLITUDE, Vanessa Desclaux, 2018
Z IS FOR ZIGZAG, Éric Mangion, 2018
Y IS FOR THE INSUBSTANTIAL PARENTHESIS BETWEEN X AND Z, Éric Mangion, 2018
X IS FOR ANONYMOUS, Éric Mangion, 2018
H IS FOR HERO, Bernard Marcadé, 2018
B IS FOR BALLS (BALLS LOST AND BALLS RETURNED), Émilie Renard, 2018
G IS FOR GAMES, Stéphanie Hessler, 2018
G IS FOR GENEROSITY, Jens Hofffmann, 2018
U IS FOR USAGE, Chris Sharp, 2018
P IS FOR POSTCARD, Jean-Pierre Criqui, 2018
R IS FOR ROSE, Émilie Renard, 2018
N IS FOR NORMAL, Nathalie Quintane, 2018
D IS FOR DESIRE, Claire le Restif, 2018
A IS FOR ALIENATION, Jens Hoffmann, 2018
NIGHT OF THE DANCER, Eva Prouteau, 2013
THE THIRD EYELID, Nathalie Quintane, 2012
PREVIOUSLY & TO BE CONTINUED : A CHAT WITH ÉRIC MANGION, 2009-2012
INTERVIEW WITH SOPHIE LAPALU, 2010
THE ROSE AND THE MUSSEL: RAMBLING REMARKS ON THE SIDELINES OF AN EXHIBITION BY BORIS ACHOUR, Bernard Marcadé, 2009
THE MYSTERY OF THE ROSE, Raphaël Brunel, 2009
BORIS ACHOUR, Dorothée Dupuis, 2008
PLEASE EVERYBODY WELCOME ME IN JOINING BORIS ACHOUR : LOOSELY CONNECTED THOUGHTS ON THE ARTIST’S WORK, Chris Gilbert, 2005
SIGNS AND WONDER, Guillaume Désanges, 2005
WELCOME / FUCK OFF ! INTERVIEW WITH FRANÇOIS PIRON, 2005
INTERVIEW WITH ÉRIC MANGION, 2004
ACHOUR? POSSIBLY, Éric Mangion et François Piron, 2002
BORIS ACHOUR, ECONOMY OF MEANS, 2002, Elisabeth Wetterwald, 2002
MANY COLOURED HENS PLACED SIDE BY SIDE, Émilie Renard, 2002
COSMOS, Nicolas Bourriaud, 2002
OPEN SOURCE SCENARIOS – THREE INTERVIEWS, 2001
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