The exhibition is divided into two successive and complementary parts. In the first space, paintings on glass (the subjects) and digital prints from paintings (the backgrounds) make up a heterogeneous but familiar set of images (current events, artistic references, generic illustrations, etc.) that deconstruct the technical principle of traditional cartoons.ls. Les plus grands des décors sont à l’échelle des spectateurs.Further on, an animated film projected randomly and without apparent coherence combines different backgrounds and subjects, bringing together what was separated. The title refers to a cinematic term indicating a leap forward in the narrative.