INTERVIEW WITH JILL GASPARINA, 2022

As part of the "Entretiens sur l'art" cycle led by Jill Gasparina at the Fondation Pernod Ricard. (watch the video)


DAMP, François Aubart, 2022

Boris proposed to meet me in a café at Jaurès, by the Canal de l’Ourcq, to present his project DAMP, Display-Algorithm-Procedural…


REPEAT THE REPEAT REPEATEDELY, Joseph Allen, 2018

The word encore, as we co-opt it into the English language, most often refers to the return of a performer after their purported final…


S IS FOR SOLITUDE, Vanessa Desclaux, 2018

There are at least two ways to conceive of solitude. There is the solitude that one endures: an unsought loneliness that brings with it…


Z IS FOR ZIGZAG, Éric Mangion, 2018

Create unusual forms but without using them to challenge the dominant aesthetic canons, thereby trying to challenge the dominant…


Y IS FOR THE INSUBSTANTIAL PARENTHESIS BETWEEN X AND Z, Éric Mangion, 2018

“I don’t know if it’s really a story,” said Witold Gombrowicz about his book Cosmos, “our actions are initially inconsistent and…


X IS FOR ANONYMOUS, Éric Mangion, 2018

“You know those films or novels in which a character wakes up having forgotten everything about his identity and his life, and has to…


H IS FOR HERO, Bernard Marcadé, 2018

The question of heroism seems a far cry from the world of Boris Achour. In fact, it is a question that just does not come up with him. At…