2022
INTERVIEW WITH JILL GASPARINA, 2022
As part of the "Entretiens sur l'art" cycle led by Jill Gasparina at the Fondation Pernod Ricard. (watch the video)
2022
DAMP, François Aubart, 2022
Boris proposed to meet me in a café at Jaurès, by the Canal de l’Ourcq, to present his project DAMP, Display-Algorithm-Procedural…
2022
REPEAT THE REPEAT REPEATEDELY, Joseph Allen, 2018
The word encore, as we co-opt it into the English language, most often refers to the return of a performer after their purported final…
2022
S IS FOR SOLITUDE, Vanessa Desclaux, 2018
There are at least two ways to conceive of solitude. There is the solitude that one endures: an unsought loneliness that brings with it…
2022
Z IS FOR ZIGZAG, Éric Mangion, 2018
Create unusual forms but without using them to challenge the dominant aesthetic canons, thereby trying to challenge the dominant…
2022
Y IS FOR THE INSUBSTANTIAL PARENTHESIS BETWEEN X AND Z, Éric Mangion, 2018
“I don’t know if it’s really a story,” said Witold Gombrowicz about his book Cosmos, “our actions are initially inconsistent and…
2022
X IS FOR ANONYMOUS, Éric Mangion, 2018
“You know those films or novels in which a character wakes up having forgotten everything about his identity and his life, and has to…
2022
H IS FOR HERO, Bernard Marcadé, 2018
The question of heroism seems a far cry from the world of Boris Achour. In fact, it is a question that just does not come up with him. At…