2022
B IS FOR BALLS (BALLS LOST AND BALLS RETURNED), Émilie Renard, 2018
“I started playing tennis again, because in tennis, when you hit the ball to someone, the rule is that they hit it back. Whereas in life…
2022
G IS FOR GAMES, Stéphanie Hessler, 2018
In Lev Vygotsky’s founding work of constructivist psychology from 1934, Thought and Language, the relation of thought to word is…
2022
G IS FOR GENEROSITY, Jens Hofffmann, 2018
Among the so-called human virtues, generosity is often conflated with charity, the giving of money without obligation. Both are, arguably,…
2022
U IS FOR USAGE, Chris Sharp, 2018
Few questions are more fundamental to art than the question of use (usage). It always crops up. Whether it be from an ontological or a…
2022
P IS FOR POSTCARD, Jean-Pierre Criqui, 2018
This mailing is Jean-Pierre Criqui's contribution to the book ABC B.A. published in 2018 by Dent-de-Leone and distributed by Les presses du…
2022
R IS FOR ROSE, Émilie Renard, 2018
THE ROSE IS WITHOUT WHY, IT BLOOMS BECAUSE IT BLOOMS, IT CARES NOT FOR ITSELF, ASKS NOT IF IT IS SEEN (2013). Stretching the length of a…
2022
N IS FOR NORMAL, Nathalie Quintane, 2018
How does one maintain a form of indecisiveness while remaining decisive in one’s work? And what should one do when the general…
2022
D IS FOR DESIRE, Claire le Restif, 2018
For a few years now, a whole generation of artists, from every field of creation, seems to have been “watching the sky”, in the sense that…