2022
A IS FOR ALIENATION, Jens Hoffmann, 2018
I would argue that Karl Marx’s classical economic theory of alienation—the realization that one is part of a particular class that is being…
2022
NIGHT OF THE DANCER, Eva Prouteau, 2013
Everything starts from a sound apparition, a fluid and cavernous sound, which returns in metallic echo and suggests the staggering pitch or…
2022
THE THIRD EYELID, Nathalie Quintane, 2012
Rambling through the city then uninterruptedly through a gallery – dubiously but gracefully, or maybe awkwardly but decidedly, the way…
2022
PREVIOUSLY & TO BE CONTINUED : A CHAT WITH ÉRIC MANGION, 2009-2012
The principle of this meeting was born in the early days of July 2009. It actually began on 10 October with an initial email. It still…
2022
INTERVIEW WITH SOPHIE LAPALU, 2010
Sophie Lapalu: Why and how did you decide to leave the studio and make the Actions-peu? Did you know artists like Vito Acconci, Bas Jan…
2022
THE ROSE AND THE MUSSEL: RAMBLING REMARKS ON THE SIDELINES OF AN EXHIBITION BY BORIS ACHOUR, Bernard Marcadé, 2009
I have to confront this 'Rose without Why'... And try to provide a reason, an explanation, for what from the outset appears to be without…
2022
THE MYSTERY OF THE ROSE, Raphaël Brunel, 2009
Conatus - Episode 6: The rose is without a why Previously on Conatus: After traversing a disturbing forest, exploring the walls of a cave…
2022
BORIS ACHOUR, Dorothée Dupuis, 2008
"You watch too much television. Good evening!" could be one of the cult phrases of the 1990s, addressed in particular to Boris Achour. A…