I LOVE, 1997

Visual antilogy, Night of the Hunter, rustic and slightly rough pop-art. (this way)


SELF-PORTRAIT AS A FOUNTAIN, 1997

Exhalation, miroiric quotation, self. (Fountain more)


CONFETTI, 1997

Colorful discharge in an urban environment. (burst into it)


REMPLI (FILLED, 1997

An address with no possibility of reply. Already. (Adress)


LES FEMMES RICHES SONT BELLES (RICH WOMEN ARE BEAUTIFUL), 1996

Gigoloesque truism in Helvetica bold on a thrift store jacket. (admire)


UNE SCULPTURE (A SCULPTURE), 1996

Fiction and narrative. Anonymity. Random encounters. Mental image. Mimicry. (“Everything in the world exists to led to a book”.)


ALIGNEUR DE PIGEONS (PIGEONS ALIGNER), 1996

Ligne (gather, arrange, order), an ephemeral sculptural proposition in the public space. (pigeon more)


DESSINS (DRAWINGS), 1993

Roughly drawing images on themselves. Almost crossing them out. (see more)